Why does penelope come downstairs
But, when father and son meet the next night, his father explains him why he should not reveal the truth in the court and he also describes him the importance of the family responsibility and faithfulness.
However, I feel that young Sarty has developed his own system of justice by that time and, nevertheless, he disagrees with his father, respecting his family status, he avoids conflict or further discussion on that. After the warm and touching union father and son embraced, Odysseus directs Telemachus to go home and not speak a work of his return.
Odysseus plans on defeating the suitors and gaining back his kingdom, and in order to do so, he conducted a detailed plan that needs to be followed to the word. He strictly orders Telemachus to go back home. Odysseus wil go back home too, however, dressed as a beggar, with the swine herder. Once in the castle, the suitors will mock and abuse of him, however, Telemachus needs to remain and stay calm and guard his temper. In conclusion, In the Odyssey, Homer establishes that although Odysseus claims he wants to get home to his beloved wife, Penelope, he continues to contradict himself throughout the story both through his actions by sleeping around, through taking unnecessary trips that stalled his journey back home even more and flirting with other women along with leading them on.
Referring back to the points above, Odysseus clearly doesn 't think of or understand the importance of a marriage and what it takes to have a solid relationship.
Penelope throughout the Odyssey was only concerned about her husband that has not come home for fifteen plus years and always made sure no suitor would come in between that, showing a massive amount of loyalty to Odysseus.
But did Odysseus really treat her with equal affection and try as hard as in the marriage as he. Nonetheless, when father and son meet the next night, his father explains him why he should not reveal the truth in the court and he also describes him the importance of the family responsibility and faithfulness Ford, As they made their way back to the garrison - to home — there wasn 't much chatter.
There was a quiet companionship during their homeward journey but Porthos wasn 't able to enjoy it. He thought of how his brothers must be ashamed of him. They took him back with open arms, as he knew they would, but he felt that by taking off the fleur-de-lys they all wore so proudly, he had essentially abandoned them. As he grew up, Porthos told himself he didn 't need to know his father 's identity. Theme Wheel. Everything you need for every book you read. The way the content is organized and presented is seamlessly smooth, innovative, and comprehensive.
LitCharts assigns a color and icon to each theme in The Odyssey , which you can use to track the themes throughout the work. Eurycleia tells Penelope that Odysseus has finally come home and killed the suitors. The nurse mentions the telltale boar tusk scar on Odysseus's knee, but Penelope refuses to believe the story.
She comes downstairs to speak to the stranger; he looks like Odysseus but also like the mysterious beggar. As she considers the stranger in indecision, Odysseus tells Telemachus that the palace must look as though they are celebrating a wedding; he wants to keep secret the fact that he has killed most of the high-born young men in Ithaca.
The scar is not proof enough for Penelope. Her suspicion is not cold-hearted, but just the opposite: she is so loyal to Odysseus that she fears betraying him in any way — even accidentally. To be loyal, she has to act disloyal at first; to love him, she has to act as though she doesn't love him. Disguise, to many of the characters, is a circuitous route to sincerity.
Finally alone with Penelope, Odysseus offers convincing evidence that he knew her husband. Penelope seems suspicious about his identity. An old nurse, Eurycleia, is assigned the duty of bathing the guest. She innocently comments on how much he resembles her king, whom she raised from early childhood. Stunned, she identifies a scar, over his knee, left by a boar's tusk, and realizes that she is, indeed, bathing, her master.
Odysseus immediately and sternly swears her to silence, forbidding her even to tell Penelope his identity. The challenge involves a feat that only Odysseus has performed before: stringing his great bow and shooting an arrow through a straight row of twelve axes.
Odysseus enthusiastically approves of her plan. This section of the epic is primarily concerned with the question of Odysseus' identity. Scholars disagree vehemently on how much Penelope knows. On the surface, she seems to accept the beggar as another wayfaring stranger, certainly more interesting than most but of no great personal significance to her. Agamemnon and Achilles argue over who had the better death. They see the suitors coming in and ask how so many noble young men met their end.
The suitor Amphimedon, whom Agamemnon knew in life, gives a brief account of their ruin, pinning most of the blame on Penelope and her indecision. Agamemnon contrasts the constancy of Penelope with the treachery of Clytemnestra.
He sends his servants into the house so that he can be alone with his father in the gardens. Odysseus finds that Laertes has aged prematurely out of grief for his son and wife. But when Laertes begins to cry at the memory of Odysseus, Odysseus throws his arms around Laertes and kisses him.
He proves his identity with the scar and with his memories of the fruit trees that Laertes gave him when he was a little boy. He tells Laertes how he has avenged himself upon the suitors. Laertes and Odysseus have lunch together. Dolius, the father of Melanthius and Melantho, joins them. While they eat, the goddess Rumor flies through the city spreading the news of the massacre at the palace. The parents of the suitors hold an assembly at which they assess how to respond.
Athena makes the Ithacans forget the massacre of their children and recognize Odysseus as king. Peace is thus restored. They are united by the commonality of their minds, by their love of scheming, testing, and outmaneuvering.
0コメント